Vitor Braz

“Fans of survival MMOs should get their share of resource gathering, combat, and building in Once Human. For a free-to-play game, it offers quite an impressive playtime to enjoy without any constrictions, and the production values are quite good overall. It can be a riot for solo players for some long hours but it gets more enjoyable in a group, and the issues that be aren’t enough to deter any player who is having fun with it. Give it a shot and the most you can lose is the time it took you to install it and play for a while.”

“In terms of visual direction, EvilVEvil is a bit rough on the edges. First impressions are quite mediocre, warehouse level looking like something out of the early 2000s, and the looks only improve slightly as you move into the city streets and begin realizing that the art and the areas have a certain flair to them and are not that bad. But there’s no going past the fact that enemy models – and your very own playable vampires – are extremely rough, the UI is crude, and it could have done with some more time in the oven… or the coffin, in this case.”

“Ultimately, the battles in Crown Wars: The Black Prince end up being extremely long, somewhat dull, and worrisome due to some of the issues described above. It’s not necessarily a bad game and the gameplay loop can be interesting if you stick to it, but it lacks polish and fine-tuning, resulting in a flawed offering that will quickly make fans of the genre start looking elsewhere for better alternatives.”

“King Arthur: Legion IX doesn’t represent a true step forward from King Arthur: Knight’s Tale, and in some regards it’s even a simplified version of said game. The value for those who own the first one is debatable, but if they are looking for more of the same, this is a good option although it may disappoint in some aspects; on the other hand, new players may get more enjoyment from this tactical game, assuming they are looking for a challenge and aren’t bothered by the lack of playable characters or the middling writing.”

“The First Descendant is a solid looter shooter with some exciting moments that falls into repetition due to its grind, something that is somewhat expected but still tiresome. It could easily be a premium title if the monetization had been worked out in other ways, so now we have a free-to-play game that offers many hours of entertainment, but that could also potentially outstay its welcome faster than it should. It looks terrific at times, with good character design and some interesting bosses, although the downside is that it can often be another one of those advocates for the “grey and dull” environments. Gunplay feels fast and enjoyable, but grind and monetization may end up being the factor that will keep it from ascending to the next level.”

“More than an attempt to cash in on the growing popularity of a series that started out in a somewhat niche way, Risk of Rain Returns is a welcomed remake that offers enough quality-of-life improvements and new content to be relevant and appealing to both fans and newcomers to the action roguelike genre. It plays great, has enough content and diversity to keep you entranced for weeks, and the new additions might just be what the game needed to appeal to a crowd that wasn’t attracted by the original. While not perfect, it’s a blasted good time where every frustrating death is nothing but an invitation to another run with renewed confidence.”

“Hammerwatch 2 is a delightful old-school RPG romp that suffers from some of the timeless predicaments of the genre, namely a feeling of repetitiveness and some odd design decisions. That doesn’t mean it isn’t fun, especially in cooperative mode, and it also helps that the pixel graphics can be magnificent at times. Play it wisely as to not become tired of its expansive maps, and that’s how you’ll enjoy the most of it.”

“Arcadegeddon is tight and very playable, the neon-drenched visuals are cool and stylish, assuming you’re open-minded about all the garish colors and epilepsy-inducing explosions, and it has enough weapon options and character customization to experiment with. But as hours pass, a certain feeling of sameness inevitably starts to creep in. The runs begin to feel dull, the enemy variety isn’t stellar, and all those edgy characters start to blend and look the same.”

“Unholy started on the right foot with a setup that wasn’t too far from contemporary horror movies, but you’ll be better off waiting for the release of Silent Hill 2 Remake. The predictable descent into madness wasn’t entirely successful, as the netherworld is little more than your average city in ruins and an excuse to add broken stealth elements into what could have been an accomplished narrative-driven mystery. This is a game that works better when it isn’t trying to tick boxes left and right, but once you step foot into the Eternal City, it drags at snail's pace and rewards you with recurrent death and frustration. A mother’s struggle it may be, but making it a player’s struggle as well isn’t exactly what horror games should do.”

“Clash of Heroes can be challenging and addictive, but there’s an undeniable RNG element that plays an important role in some battles, and you must learn to live with it. Less understandable are some oversights that shouldn’t be in this definitive edition, such as the noticeable AI blunders – ignoring an elite unit merge in favor of a random move, for example. On the other hand, the turn switch animation troubles me, feeling like a second that lasts an eternity, as we’re bound to see it dozens of times per battle. This system would benefit from speed and urgency when control changes from one field to the other, instead of that lingering animation. Can Might and Magic: Clash of Heroes – Definitive Edition be considered as an essential revamp to a cherished game? It doesn’t bring a hefty dose of changes and additions, that’s for sure, making it difficult to recommend to owners of the original; however, new players should be able to discover a gripping puzzle game that, albeit not perfect, still provides many hours of merging and fusing entertainment.”

“This is a game that requires a slow-paced and thoughtful approach and is clever at it, but the downside is that the core loop may become boring if you don’t take a breather now and then. Don’t play this on fast-forward, despite the yearn to keep pressing forward, square after square, one low-level enemy after another. There’s a lot of fun to be had from the mischievous dialogue and bite-sized dungeons, but make sure you give your heroes a well-earned rest.”

“Deceive Inc. isn’t merely the umpteenth Among Us clone, as it picks a setting that is prone to suspicious stealth action and camouflage and adds the gadgets and panache to it. Although there isn’t much to praise on the shooting aspect and the low number of maps is disappointing, this is a game that works when you find a group that plays by the rules. The more enthusiasm and immersion the better, and it is very enjoyable when that happens. But find a few ruthless players who will just try to botch your efforts and barely move, and things take a turn into frustration avenue. Still, this is a clever and engaging game that deserves a shot if you enjoy the garish style and multiplayer shenanigans. Even though some repetition sinks in, the concept is fresh and deserves a look – to paraphrase what that legendary spy once said: Yeah, baby!”

“With a truly accomplished pixel art style and a noir vibe that gets under your skin, Hell is Others is a compelling loot shooter that shows its flaws when multiplayer starts to take preponderance over solo play. It’s a shame that the brilliant concept is dragged down by something so inherently tied to its core gameplay that it’s impossible to dissociate, but if you persist and overcome the early and frustratingly unbalanced player versus player battles, this is a bloody gem that deserves several excursions to this cursed city.”