Nusrat Choity

“Carmageddon: Rogue Shift is neither the last game in the series nor a completely new game. There is a big experiment going on here that sometimes fails but mostly succeeds in being exciting, tense, and damaging without any qualms.”

“The game I Hate This Place has a lot of good ideas that never quite work out. The graphics are memorable, the idea behind the game is interesting, and some of the mechanics, like sound-based stealth and exploring at night, really show potential. But an unfocused story, bad combat, slow progression, and technical problems keep it from reaching its full promise.”

“Station to Station doesn’t require that you have anything to do with writing, schooling, or even the time period it’s set in. The only thing it wants from you is to remember what it was like to doubt yourself while the world went on. In this way, it turns small, everyday moments into something deeply meaningful.”

“Blightstone is successful because it knows what it wants to be. In terms of plot, it's not an epic or a power dream based on being very strong.”

“Pathologic 3 doesn’t want to be liked. That thing wants to be honest, even if that honesty hurts, wears you out, or is mean. It changes what it means to “play” a plague story by shifting the focus from physical life to mental endurance. You won’t be able to save a town in this power dream. It looks at responsibility, memory, and how much power we can really have.”

“Pioneers of Pagonia is a deep and intentional city builder that rewards care and planning. Its rough edges and slow pace make it less appealing, but its classic design and linked systems make it a great choice for serious strategy fans.”

“Romancing SaGa -Minstrel Song- Remastered International has a lot of secret rules that you can learn. You can change your character in many ways, make choices that affect the game, and see a world that feels alive in subtle ways. For others, its lack of popularity, old-fashioned look, and hard-to-learn techniques will overshadow its good points.”

“Moonlighter 2: The Endless Vault is a lot better than the first game. It adds new features while staying true to the main idea of the first game. The balance between exploring dungeons and running a shop is still very appealing, and the new weapons, realms, and relics make the game more interesting.”

“Dark Quest 4 works well on all platforms. The user interface is sleek and functions well. However, it could benefit from some quality-of-life upgrades, such as clearer targeting markers or the ability to revert actions during combat. These changes would make the experience better, especially for people who aren't used to turn-based systems.”

“Escape Simulator 2 is the perfect sequel: it feels familiar yet very ambitious. It improves on the original's formula, makes it bigger, and adds more depth to the puzzles without making them harder to solve. The game is now a full package for both puzzle fans and casual explorers. It has larger maps, cooperative play for up to 8 players, and a better level editor.”

“Twinkleby isn't really a traditional video game; it's more like a creative ritual. It's about creating something lovely, going back to it, and then tearing it all down to start over. It honors both the fleeting and the imaginative.”

“Katanaut is a must-try for fans of games that demand quick reflexes, keep you on edge, and reward perseverance. The game is worth playing whether you want to learn how to parry perfectly, dive headfirst into dangerous dashes, or explore its creepy hallways in search of answers.”

“Warhammer 40,000: Dawn of War – Definitive Edition is exactly what it sounds like: the original game and all of its expansions, but with better graphics and performance. The core RTS gameplay was already great, and this package keeps it that way while making it easier to see, bigger, and more comfortable to control on modern systems.”

“Dear Me, I Was is a stunning example of visual storytelling. I was trying to say something profound, but it doesn't stick around long enough for it to make an impact. Yes, it's moving and beautiful. But it seems like the start of something, not the end.”

“Fretless - The Wrath of Riffson doesn't just play a song. It's asking you to help write it, one note and one fight at a time. This is a genre-bending tour de force that combines rhythm and RPG in a way that is genuinely new and unforgettable. Fretless will make you feel like a rock god if you love music and know how to plan.”

“Len's Island remains a fun sandbox that rewards creativity and hard work, although it lacks a gripping story and can become repetitive over time. It's great for playing alone and even better with friends. It could become a modern indie classic in the survival genre if it gets more updates or modding support.”

“Antro makes you move and think to the beat, whether you're dancing through a burning hallway, tagging graffiti in a rebel hideout, or sneaking past deadly drones in the dark. It has great beats and a beautiful look that will keep you playing.”