Jade King

“Metroid Prime 4: Beyond Is Not Only A Worthy Successor, But An Exciting Sign Of Things To Come”

“There is a reason this campaign is called Journey, because it feels like you’ve been on a rollercoaster ride of rhythmic emotions that change how you view games like this. Part of me thought Enhance Games couldn't repeat the sublime brilliance of Tetris Effect, but it has done just that and then some.”

“Nice Dream has crafted a truly original narrative adventure here that will likely have a nuanced impact on everyone who plays it, and that alone makes it a triumph worth celebrating.”

“But this is still a musou title, and it can only achieve so much within that framework without awkwardly bursting at the seams. With those restrictions in consideration, however, Hyrule Warriors: Age of Imprisonment is a triumphant prequel that Zelda fans are going to adore.”

“Nintendo was never going to remake Super Mario Galaxy 1+2, nor do I think it ever should unless it wants to risk diluting two undeniable classics. Despite that, this sadly doesn’t feel like the remastered effort you’d expect for such a steep asking price, with myriad flaws from a bygone era holding it back from true greatness. This is now the definitive means to experience two of the best platformers ever made, it’s just unfortunate that the package is prohibitively expensive and borderline insulting to those who want to enjoy it most.”

“While you are experiencing a grand journey across an uncompromising depiction of Greek mythology, it is the small moments in Hades 2 that shine brightest. Intimate conversations between old friends or bittersweet reunions with long-lost family members as the moon of Selene hangs daintily overhead. Putting aside slaughtering demons and becoming a witch so powerful that not even titans can stop you, these are what make Hades 2 so special. If Supergiant is now destined to leave this universe behind, it goes out on the highest note possible.”

“While Bloober Team’s remake of the legendary second entry was a positive step in the right direction, Silent Hill f feels like Konami finally cementing the survival horror icon’s return. It is an emotional, unpredictable, and unsettlingly beautiful glimpse into the worst parts of human nature. Hinako Shimizu’s journey is one designed to make the player ask uncomfortable yet necessary questions with no guarantees that you’ll enjoy the answers. But it’s through that bravery that Silent Hill f is able to achieve greatness.”

“There is a great survival horror game at the centre of Cronos, but it would have been much stronger if it had broken new ground rather than wondering tentatively on what came before.”

“I can see Nintendo making these lush revivals a common occurrence on its new platform, and after Forgotten Land, that would be no bad thing.”

“Drag x Drive isn’t destined to be the next big Nintendo Switch 2 exclusive, but it remains one hell of a compelling case for its underused mouse controls and is a truly original sports title.”

“It’s about human connection, losing loved ones, and stepping out into the wild regardless of the horrors that may await. Learning to go on that journey and accept a willingness to grow is half the battle, and after reaching the end of this ordeal, you’ll never be the same again. Keep on keeping on.”

“World is more playful, more unpredictable, and more willing to give players all the toys they need to have fun and put the pedal to the metal. Even days after launch as the only proper exclusive title for Nintendo Switch 2, there is a foundation here I cannot wait to see iterated upon.”

“To a T is a delightful adventure, and the most accomplished we’ve ever seen Keita Takahashi as a fully-fledged storyteller. He is far more than absurd scenarios and strange mechanics, proving here that he can combine both of these with excellent storytelling that is simple yet effective in its characters, themes, and how it makes us sympathise with different ways of looking at the mundanity of life we might have never considered before. Few games this year have so much heart.”

“Doom: The Dark Ages is the weakest entry in a fantastic trilogy of games, and despite how I feel about its additions to combat and exploration, I’d rather an experience that took risks and sought to reinvent what it means to play a Doom game rather than build upon the familiar.”

“Shortcomings aside, there is still nothing like Split Fiction in the modern gaming landscape, and so long as Hazelight sees fit to keep on making games like this, I’ll keep on showing up.”

“It’s a challenging retro platformer that is a delight to play for the most part, but with each new set of levels, I wanted to see what a new Donkey Kong excursion might look like, instead of love letters like this that are defined by their attachment to the past.”

“Metro Awakening is an admirable attempt at translating the post-apocalyptic shooter series into virtual reality, and at its best is a poignantly atmospheric marvel with great controls and an unrivalled sense of place. Yet it is also held back by poor checkpoints and combat, which quickly falls into a repetitive game of cat and mouse between very stupid enemies. It learns all the right lessons from masterpieces like Half-Life: Alyx without introducing enough new innovations of its own, and because of that, it suffers.”

“Passionate fans looking for an excuse to replay Aloy’s debut adventure with lovely visuals and a fresh list of trophies will find this remaster a no-brainer, but for a more sceptical soul like myself, it’s hard to look past the lack of quality of life improvements that only serve to highlight how far things have come since Horizon Zero Dawn first arrived, and how hard it’s become to look back.”

“Despite how much joy I mined conquering its temples and delving into its many rifts, at times it doesn’t push its ambition far enough. That never stops Echoes from being a warm hug of a video game that enraptured me from start to finish, but it does leave me infinitely more curious about what the future holds. Now Zelda has helmed her first epic outing, it’s only a matter of time until she goes onto bigger and better things.”

“A lacklustre story, a bizarre lack of polish for a production of this scale, and a main character that isn’t the step forward she should have been all hold the game back from excellence.”