Stuart Gipp

“Taking a look at Capcom Fighting Collection, it's very clear that it does exactly what it set out to do – you've got superb versions of ten arcade classics here, several of which are significantly difficult to play elsewhere. The online play works beautifully, with efficient menus letting you switch games in the lobby. And that online is really all that matters in the end. Can you play Hyper Street Fighter II online with no lag? Yes. Then it's more or less perfect, isn't it?”

“OPUS: Echo of Starsong is a lovely game, an emotional adventure that represents the apex of the series to date and easily one of the best story-driven games on Switch. It's also excellent value for money, offering around ten hours of game for its low price, more if you really take your time and soak the whole thing up the way you really should do. While the character designs are a little too familiar, the characters themselves are complex, interesting, and likeable, and the story told with them is a complete, satisfying tale. Oh, and when the opening suggests playing with headphones? That's a hard agree from us, both to help with the music-based puzzles and simply to enjoy the excellent score.”

“Look, there's no way to sugarcoat it - Snow Bros. wasn't worth bringing back. It's pretty much a D-grade arcade game with no interesting hook, and no amount of gussying it up can disguise that. The Monster Challenge mode sounds interesting, but it's DLC. All that was really needed was 'Arcade Archives: Snow Bros,' so that fans could get what they want at a decent price, the game was preserved on a modern console, and we could all just move on with our lives. It's gonna be a snow from us.”

“Despite this occasional lapse, Chernobylite manages to stand out with a brace of compelling mechanics, elements of horror, and some deft storytelling. Don't ignore this one.”

“Blast Brigade is a difficult game to review. It's a lot of fun and we enjoyed our 20 or so hours with it, mopping up secrets and collectables. We can't recommend it enough if you've still got a hankering for Metroidvanias, but those exhausted with the formula aren't going to find any major deviations here. Perhaps we would feel differently had the game come out a couple of years ago, but now? Blast Brigade is still a terrific Metroidvania, and one of the best we've played outside of the very tippy-top tier (Symphony of the Night, et al). Get it straight away if you even slightly think you will enjoy it, because you almost certainly will. It has the same affection packed into it as the likes of Kaze and the Wild Masks, a real love letter to Metroidvanias. Truly exceptional it isn't, but Blast Brigade remains a great time if you're not suffering from genre fatigue.”

“This will probably be held up as anti-intellectual in some way, or part of the crowd who scream every time they see a "walking simulator" (a grossly reductive label), but really, this just isn't good art. Of course that's subjective and sure, maybe you'll be profoundly moved in a way that we didn't experience, but we'd wager it's unlikely. It's a game that seems to coast along and then just... fizzle out with no major revelation or real hook. What's a generous word for that? Meditative. It's meditative. Really meditative. Sort of like... sleeping”

“The central loop of battling, chatting and levelling up is as compelling as you could ever want it to be, with an interesting story told well and a meaty 20 hours or so of no-frills tactics. Dark Deity lacks the romance options of Fire Emblem, as well as the first-party flair you expect from a Nintendo title, but the latter is hardly surprising and would be an unreasonable standard to hold almost any indie game to. Dark Deity delivers a convincing and essentially satisfying facsimile of GBA Fire Emblem, but perhaps fails to stand on its own two feet. Then again, we're not sure that was ever really the point.”

“Imp Of The Sun stands alongside the likes of Smelter, MindSeize and Cobra Kai as a flawed game that nonetheless has an enormous amount to offer and is likely to be criminally ignored. If you're after something off the beaten track, we urge you to consider the sixes and sevens of this world and give them a chance. We don't think Imp Of The Sun will be anyone's favourite game, but we do think that anyone who picks it up will remember it later on and go "oh yeah, Imp Of The Sun. That was a good time!"”

“It's a tentative "yes", then, to this fascinating and flawed stealth game with an impressive sense of place; some will bounce off it harder than our Switch bounced off the wall when we got caught by yet another guard, but many will find it atmospheric, challenging and compelling. Definitely worth your attention, even if it's just to find out you don't like it.”

“Dawn of the Monsters stumbles into some of the more common pitfalls of belt-scrolling fighters, but it has enough flair, polish and excitement to be a more than worthy offering, particularly played in couch co-op with a friend. We wish there were a few more playable creatures, but the ones on offer here are all very distinct and enormous fun to get to grips with. It's a richly rewarding game, with higher ranks unlocking new skins and upgrades from the in-game shop (don't worry, no microtransactions here) which offer an incentive to keep playing - though the real reason you'll stick with Dawn of the Monsters is that it is, quite simply, very good indeed. While it has a few problems, they're nothing that will stop you having a blast with this Brobdingnagian beat-'em-up.”

“Given the nature of live service titles it's possible that Babylon's Fall could see a phoenix-style resurrection with some rebalancing, but somehow, we doubt it. Hopefully this absolute misfire doesn't signal a profound change in direction for Platinum Games; this title had a troubled conception and it shows, but rather than iterate on things, we'd rather see a return to single player dominance. There's just nothing about Babylon's Fall that warrants going back to the drawing board. Except for that fantastic boss battle in which you race the Batmobile against those jorts-clad pink elephants. Oh wait, that was just a dream we had when the game put us to sleep.”

“Ultimately, there are a ton of potential issues you may or may not run into, and seemingly no real advantages to running Kingdom Hearts Integrum Masterpiece on Switch - unless you simply have no other choice but to play these games on this console. As a fan, and as a player who just wants a consistent gameplay experience, it's incredibly disappointing. If you can buy this package for another system we'd earnestly implore you to do so - it may not be handheld, but at least it would be yours to keep and it would run reliably and consistently. As it stands, Kingdom Hearts on Nintendo Switch is defined by compromise.”

“Once again, Kingdom Hearts 3 + Re:Mind on Switch is impossible to recommend without caveats as long as Cloud gaming relies on an erratic, unreliable provision of service. When it does work, it's a joy; every bit as good as any given title in the series, a dream to explore and thrilling in its spectacle. But then it falters, the input lag kicks in, and the illusion is taken away in a matter of moments. Buy this game and you are effectively renting an imperfect version for the duration of the Cloud service's lifespan. Want to play Kingdom Hearts on handheld? Well, there's always the Steam Deck, we suppose.”

“What we have here remains a fine collection of games and an interesting demonstration of the first decade of the Kingdom Hearts series. If you have a reliable enough internet connection, this is almost as good a way to play Kingdom Hearts as any other. If you don't, absolutely leave it on the digital shelf. We'd like to score Kingdom Hearts 1.5 + 2.5 HD ReMix on the assumption that you can run it, but that's not necessarily an accurate representation of what many people's experience is going to be, and our experience - with robust and rapid internet - was patchy. If you have any other way at all of playing these games, we recommend you do so. Ultimately, this is a great package delivered in the worst possible way.”

“Grapple Dog isn't quite perfect. We feel that more could have been done with the grapple itself, as it's a little restrictive in its application. A less friendly, more freeform approach would interfere to an extent with the tight level design, but it would still be cool for speedrunners if the grapple really let them cut loose. That's pretty nitpicky, though, because developer Medallion does precisely what it sets out to do — deliver an unpretentious platformer that's a hell of a lot of fun to play.”

“Honestly, it's tempting to give Powerslave a 10 just for being available again, but no. That would, of course, be naughty. Here it is, though, in even more than all its glory - a brilliant, beautiful reworking that captures the very essence of what made it so awesome back in the day while giving the best of both the Saturn and PlayStation's distinct versions. For such a prototypical take on Metroid Prime, it's alarming and impressive just how much confidence Powerslave Exhumed shows in its design, making it the best kind of retro game - one that's even better today with full knowledge of how ahead of its time it really was. An easy recommendation to FPS fans of any vintage, Powerslave Exhumed will keep you playing and playing, searching for those last niggling secrets.”

“While Infernax is tough, it's resolutely fair - you can't really make the game 'easy', but you can absolutely mitigate the difficulty or take a break doing something else when you get stuck. Don't expect a simple ride, though, and don't expect to take the right decisions on a first playthrough - not that anything seems particularly 'right' in this beautifully bloody little world. It's only familiarity that lets Infernax down - there's nothing really new here, but it's all done and delivered so well that you won't really care unless you're desperate for a completely fresh experience. In which case why play a faux-retro NES throwback to begin with? A cut above most efforts in the subgenre, Infernax both demands and requires attention.”

“Overall, this is the best Sherlock Holmes game we've encountered and a very auspicious debut for the consulting detective on Switch. This is far from a lazy downgrade, with developer Frogwares presenting a full-featured and compelling experience from start to perhaps-too-soon finish. It looks great and plays brilliantly, with only occasional annoyances and some weak (though thankfully skippable) puzzles to knock it down a peg. The fact that the game is willing to allow you to get it wrong means it feels less prescribed and inevitable as other titles in the detective genre, and that's quite refreshing. A little ironic that it took one of the form's oldest characters to finally land such a novel approach.”

“A brilliant first effort from Original Fire Games, then, and a racing game rather unlike anything else out there on the virtual shelves. This intoxicating, content-rich, and yet fascinatingly accessible racer is liable to get its hooks into gamers looking for something a little less knockabout. You may struggle to get the hang of things at first but we promise this little journey through racing history gives as good as it gets.”

“Shadow Man has never been a masterpiece, but it is a clear labour of love with plenty to offer those willing to endure its more aged mechanics and structural curiosities. We can only hope that plenty will have the patience to do so.”