Gareth Chadwick

“Atomfall is an interesting game. It might not be wholly unique in anything it does, but it combines its core ideas in a way that feels fresh. A big part of that comes through the drip feed of the underlying story, whilst another is the glorious British countryside that makes up its maps. It likely isn't going to blow your mind, but it's an enjoyable journey and you would still be missing out if you didn't give Atomfall a go.”

“Whilst these remakes bring the second Tomb Raider trilogy to modern systems, but they simply can't match up to the original trilogy – Chronicles and Angel of Darkness in particular were let downs when they released originally. I can't see this remaster gaining these games any new fans, especially since they control like some kind of device that exists to torture game developers that specialise in traversal mechanics.”

“Kingdom Come: Deliverance 2 continues to fulfil the uncompromising vision of the first game. It weaves together a world of lords, knights, peasants and bandits in medieval Europe, with poor Henry of Skalitz caught somewhere in the middle just trying to cope. It's grand in scale whilst being full of fine details and it sometimes gets in its own way a little bit, but if this is your kind of game it'll be one that you don't want to end because there's nothing else quite like it.”

“Cuisineer is a game with a strong core idea, but doesn't invest enough in its systems to keep it interesting. The excellent combat and good restaurant running soon become repetitive as a result. If the basics are enough to keep you coming back then Cuisineer might work for you, but for me this dish has turned stale.”

“What Jedi Power Battles really needed was a remake, not a remaster, so that the gameplay could be brought up to something worth playing in this decade. If you want to be a Jedi these days there are way, way better options out there.”

“Ultimately Behemoth is a good VR combat game that's a bit too easy, and with its impressively huge boss battles too few in number. Whilst the combat and exploration is enjoyable enough, the puzzling is too simple and, in a game about killing giants, you'd expect there to be a few more giants.”

“The Thaumaturge is an interesting and dark game in a relatively unique setting, 1906 Warsaw during a revolution combined with monsters is a fascinating setting. Whilst it occasionally fumbles how it delivers some details and you spend a lot of time running around, the strength of the setting and the writing makes these easy to forgive, not to mention the presence of the man who I have heard on good authority was Russia's greatest love machine.”

“Max Mustard is easy to recommend for a 5-7 hours of cutesy VR platforming fun. It's lacking a little originality though, wearing its many platforming influences proudly, so whilst it's fun and has some great moments, they fail to elevate it to the status of the games that have inspired it.”

“Diablo IV: Vessel of Hatred is a bit of a disappointment. After the story finishes, it feels like little has changed, though the structural systems of the game have had some upheaval. You hit max level far quicker now and, once you do, the fun of looting will evaporate for all but the most hardcore and dedicated loot hunters. Meanwhile, there's spam to buy loot in the chat constantly, the party finder invariably puts me in parties where my lower level character is useless and dies to a sneeze from a passing asthmatic, and the big co-op endgame dungeon doesn't really seem to understand what Diablo is. Why doesn't it seem to understand? Because this is an MMO, not Diablo.”

“Vendetta Forever is a new contender for my favourite VR game. Its high speed, intense, but relatively short levels are always somewhere between very cool, very over the top, and quite funny. It's a game that's in love with old school action movies and did it darnedest to let you shoot your way through countless classic set pieces.”

“Sonic X Shadow Generations is a great time. The remaster is exactly as you'd expect and the new game on top of it is better, more polished, varied, and refined. It's almost converted me to a 3D Sonic guy, which is shocking, and, because it's about Shadow instead of Sonic, you don't have to put up with anywhere near as many obnoxious voice performances. Shadow himself is just a bit broody and says things like "the ultimate power" in an almost-Keanu Reeves voice which really makes me laugh – especially with the Keanu voice pack coming in December for some top tier silliness.”

“I love the idea of Hunt: Showdown 1896, but in practise it's mostly abandoned by people either sprinting all the time or camping all the time. It's hard to "get good" in this game because, one; it doesn't tell you how to, so you have to watch youtube videos and read reddit threads to figure things as basic as what UI elements mean in the menus, and two; because everyone else is already good and you die before you can get anything done or learn anything. I've made some progress, but doing so was a frustrating and gruelling experience that wasn't entirely down to my own incompetence. If you're a glutton for punishment this could be the extraction shooter for you, but it's hard to recommend to anyone that isn't already embedded in it.”

“While some of its gameplay diversions miss the mark, Dustborn is an excellent example of how to craft engaging characters and wrap a story around them. The game is filled with surprisingly natural sounding conversations, whether they're serious and detailed or funny and light. It's very rare that I encounter characters that are so believable in a game. Quite the achievement considering one of those characters is a gruff, bearded New Yorker with dwarfism who heals people by reciting poetry, who I honestly wish I got to spend more time with.”

“Capes is a valiant effort at a relatively unique idea, one that I personally have wanted since I heard Midnight Sons would have a card-based attack system. It isn't perfect, it could do with a little more polish, and it's occasionally a bit frustrating, but it's deep, challenging and the story is enjoyable enough if you like comic books' campy style. Considering this is Spitfire Interactive's debut game, it has absolutely convinced me to keep an eye on their future projects.”

“I really wanted to like Hightower and I kind of do, thanks to all of the passion and cute touches that are peeking through the cracks. Whether it's the inclusion of old movie trivia that can skip a battle, some Charlie Chaplin footage, a scene where you're trapped behind a wall and more, it's clear there was a real vision here, and while it may not be fully realised, I admire the effort. The end product falls short on a number of levels, but I have a soft spot for it regardless and will be keeping an eye on the developer's future games.”

“Whilst Train Sim World 4 does the train sim part quite well, the world part is incredibly lacking - it comes with only three routes in the base game and the others cost significantly more than you might expect. All of those routes are in North America or Europe, even the DLCs, which would make it a much smaller world than the one I live in. If you love trains and have plenty of train sim money, Train Sim World is a good option for running routes. Just be aware that you'll probably be paying more than is reasonable.”

“Trepang2 is a clear love letter to the FEAR games, taking heavy inspiration from that series and mixing in some optical camo and monsters that aren't a scary little girl with an increasingly horrendous backstory. It's not a perfect game and it is a bit short, but once you trigger the slo-mo and start blasting, you won't really care.”

“Suicide Squad: Kill the Justice League is a perfect example of how live services can sap all the energy out of a game experience. The story, the character and gameplay all range from good to fantastic, but the missions grow stale before too long, the loot system's few bright spots are tarnished by the chore of everything else you earn, and the story and characters all but evaporate once you reach the endgame.”

“The Last of Us Part 2 Remastered refines and improves a much misunderstood masterpiece. It's hard not to be amazed at how good this game still looks, and it comes with a new mode and some behind the scenes stuff to enjoy.”

“Call of Duty: Modern Warfare 3 isn't an outright bad game, but it's also not a particularly good one. Taken on its own, it's a slightly above average first person shooter with a poor campaign, but in context, you can see how hurried and limited in scope this game really is. The multiplayer is effectively a classic map pack, Zombies and Open Combat Missions are game modes built within the existing Warzone map, and the campaign's pacing and story come up short. It all adds up to a lacklustre experience and even a sense that Call of Duty is at risk of losing its identity.”