Livio Achilli

“The work itself stands as an exceptional endeavor in its purest sense: being rare, anomalous, and manifestly free from compromise in the pursuit of its original vision. For such audacity, it warrants my complete and unconditional respect. Yet, some shortcomings—or, worse, a blatant lack of care in specific aspects of the world building presentation, coupled with an overall simplistic message—make the journey itself more fascinating than the legacy it leaves behind. And frankly, considering the immense potential, this constitutes a fatal flaw that I simply cannot forgive.”

“The latest project from Berangin Creative is a journey worth undertaking for anyone who prioritizes the contemplation of visual art over systemic complexity, yet it demands a certain degree of indulgence regarding its sometimes timid narration and stumbling technical refinement. It is a title that warms the heart with its palette but fails to deeply etch itself into the soul, hindered by an excessively linear nature and a ludic structure that struggles to evolve. For these reasons, while remaining an experience endowed with praiseworthy directorial dignity, Kejora stops just short of the threshold of excellence.”

“In summary, Double Dragon Revive positions itself as one of the strongest candidates for the worst recent installment in the series. While it avoids the absolute depths plumbed by Rosetta Stone and Double Dragon IV, it clearly falls short of the modern standards set by Neon and Gaiden. The game delivers the essential elements of the beat 'em up genre: iconic characters, environmental interactivity, and an arcade rhythm in co-op—making it merely acceptable for those seeking a quick, nostalgic gaming escape, particularly when shared. Barely scraping by with a passing grade, it is suitable solely for the incurable nostalgics. It can only observe with melancholy distance the titles that surpass it in every aspect, even with the presence of the famous Lee brothers and co., such as River City Girls 2 and its dedicated downloadable content, without even daring to disturb the recently released video game miracle that answers to the name of Absolum.”

“Are you truly ready to take responsibility for your actions? This is the question raised by S.p.l.i.t, and it also serves as a perfect demonstration of what a single visionary mind can achieve when blending aesthetics, coding, and soundtrack. Mike Klubnika crafts an alienating work that is almost impossible to judge by modern video game standards — completely outside of current norms, time, and logic. Short, intense, disturbing, and eloquent in its minimalist silence. A product capable of completely disorienting the player, perfect for those seeking something truly different.”

“In summary, The Drifter offers accessible yet not simplistic gameplay, where every interaction serves to heighten the atmosphere and support the narrative. It stands as proof that, in an era when graphic adventures seemed destined to remain a nostalgic memory, titles like this one mark a vibrant revival of the genre, especially within the indie scene. The protagonist is a tormented man, closed off from the world, a prisoner of his own ghosts and haunting regrets. He is portrayed with remarkable depth: hopeless, crushed by past mistakes, and reluctantly forced to start over. It’s a surprisingly intimate portrayal for a graphic adventure that is just as surprising, beautiful, and absolutely unmissable.”

“Antro is a work that dares. It shouts a powerful message through its soundtrack in a world that has stopped listening. The opening is striking, the artistic direction is captivating, and the use of music as the backbone of the narrative is undoubtedly original and powerful. However, when theory turns into practice, the game struggles to bear the weight of its ambitions. The repetitive and unpolished gameplay, the limited evolution of its mechanics, and various technical issues end up overshadowing an experience that could have left a much deeper mark — a goal that, for now, remains out of reach. It's a title that earns appreciation more for what it represents than for how it delivers it. And perhaps that's its greatest flaw: fascinating from afar, but fragile up close.”