Jordan Rudek

“undefined.GrimGrimoire OnceMore (with feeling) is a textbook example of how to retain an enjoyable experience and modernize it for a contemporary audience. The whimsical characters and art shine in HD, and the RTS gameplay holds up well on Switch. The stages do get a little repetitive as you make your way through the main story, but there's more than enough meat on these bones to justify a purchase for fans of Vanillaware's previous works or anyone looking for a satisfying RTS with a fantasy coat of paint.”

“At the end of the day, I'm not left with much to remember about Melon Journey: Bittersweet Memories. The charm of its characters and writing are readily apparent, but there's simply not much to do in places like Ham Town and Hog Town. While the hard crashes certainly put a damper on my experience, it was the fact that I really had to force myself to keep picking up the game that speak volumes. Those looking for a light and chill story-centered adventure may enjoy the handful of hours you can sink into Melon Journey. Others may want to stick to watermelon for their sweet memories.”

“Assault Suits Valken Declassified is a love letter to a series that wasn't as represented in the West as it was in Japan. This 2023 re-release adds a lot of fascinating bonus materials that are sure to excite fans, but the main game itself is a tough one to recommend given its difficulty and awkward controls. That said, I'm all for revivals of titles from the 2000s, '90s, and earlier, and therefore very supportive of the work done by M2 and Rainmaker Productions on Assault Suits Valken Declassified.”

“Given that the game can be finished or even completed in a couple hours and just how obvious it borrows from a title like Shovel Knight, it's tough to wholeheartedly recommend Kraino Origins. Indie games are at their most endearing when they blaze an entirely new trail or offer a unique look at what we've seen many times before. Neither of those objectives are met in Kraino's adventure, and the lack of any noticeable style or charm means that the game rests on its gameplay laurels. They aren't enough, however, to elevate Kraino Origins over the majority of action-platformers on Switch.”

“I found the mechanics hard to pick up, and even though the stages have multiple solutions, the patience and juggling required in later stages ended up pushing me to the brink. Other than how the dialogue exchanges work, I do love everything about Backbeat's presentation, and the story and writing are certainly charming. Ultimately, though, unless you're musically inclined or have a real knack for movement/resource-based puzzle games, it's entirely possible you'll end up wanting to throw Backbeat on the back burner.”

“Planet Cube: Edge is a charming but padded experience. Most of the levels overstay their welcome, and this hurts what is generally an enjoyable experience. More certainly feels like less here, as I often found myself sighing as the gimmick of one screen was repeated more than a handful of times. Still, playing as Edge feels great, and as someone who enjoys his fair share of tough 2D platformers, I found the challenge more than met my expectations.”

“Some of the enemy designs are clever callbacks to Mega Man and Castlevania, but ultimately the title manages to stand on its own merits. Even though they never seem to stop dictating all the action happening on screen, Shinobu and Maya are delightful to play as and make enough banter and jokes between them to keep the narrative light. If you'd rather purge something new than the dozens of games in your backlog, Grim Guardians provides a devilishly fun ride.”

“While it might not beat getting proposed to on Valentine's Day, Ten Dates has more than enough substance to justify a second glance at the bar. It could definitely use more variety in terms of bachelors, bachelorettes, and even venues–with most dates taking place at some type of bar or similar establishment. Nonetheless, there are many, many scenes to unlock and fun conversations to have with the cast as is, and there's even a menu that indicates how much you've seen from what's available for each potential mate. It may not be love at first sight, but Ten Dates does offer an enjoyable way to pass an evening or two as you try to play matchmaker for Ryan and Misha.”

“Trophy is a competent and enjoyable action-platformer that looks and feels like Mega Man, even if it falters in a few specific areas and doesn't quite live up to that comparison. The game does enough to make it worth recommending to fans of 8-bit classics of yore, provided you can look past some of its poor level design and cheap deaths. At the end of the day, I'd award it a trophy somewhere in between participation and podium.”

“The lack of unlockables is unfortunate, but the number of upgrades you can open up and attach to your ship does allow for some neat customization. Another slight issue is that because the power-ups you collect allow you to take extra hits, you become something of a sitting duck after losing a life during a boss fight, with no way to reactivate your power-ups and thus build up your arsenal and your "life meter." While it'd be great to see online leaderboards and more content added down the road, I'd still recommend DRAINUS to fans of the genre and–given the manageable challenge it offers–even newcomers looking to try one of these for the first time.”

“Bear's Restaurant offers a unique experience in that it is both more and less than what it appears to be. Its narrative delivers some poignant emotional moments, but it's also interspersed with oddly dark or fantastical elements that undermine its genuine heart. As a prequel to Fishing Paradiso, which Neal reviewed here, it does at least introduce characters that carry over to that follow up, but those looking for something more well rounded and with more pronounced gameplay elements may want to skip the restaurant and go straight to paradise. If you're up for a story about the afterlife, how people get there, and the desire to hold on to those we've lost, pull up a chair at Bear's Restaurant.”

“You can even edit each of the non-mashup levels to make your own customized version. From both a gameplay and presentation standpoint, what's here is nearly unassailable, and the game serves as an exquisite reminder of just how spoiled we are with the wealth of indie titles on Switch and also how astonishing it is that it took until now to get a flattering facsimile of Rhythm Heaven on Nintendo's latest console. Playing this late at night might not boost your brain's melatonin levels, but it's sure to leave you smiling before bed time.”

“Unfortunately, playing the game offers too little of an incentive for how challenging it is to control your red panda friend. While it may be true that a good deed is its own reward, such a proverb doesn't lend itself well to the medium of video games. There are some worthwhile moments to be had in this world, but they're just too few and far between.”

“While its message about the challenges of independent game development are increasingly poignant, the packaging around that theme fails to captivate. The metagame Blocks, on its own, is equally plain, and the feeling I'm left with after rolling credits is largely one of disappointment. In spite of its interesting conceit, parting with Goodbye World isn't really sweet sorrow.”

“That said, seeing familiar kaiju–Gomora, Bemstar, and Sevinger (which was the first kaiju I raised)–and even Ultraman himself will definitely hit home for a certain audience. After playing around with the remastered first two Monster Rancher games, there wasn't enough in this release to keep my attention, but its updated graphics and presentation could make it a decent place for newcomers to the franchise. Here's hoping that the next time we see Monster Rancher on a Nintendo platform, it takes some kaiju-sized risks in order to offer a fresher experience overall.”

“Going through its Arcade Mode on different difficulties and using new ships is a genuine treat because each one feels distinct from the one before. While it's a bit annoying that sleep mode seems to regularly disconnect the game from its online servers, requiring a manual reconnection in the menu, there's little else about the game that is worth criticizing. Sophstar marks a stellar debut effort from developer Banana Bytes, and it's both an easy recommendation for vertical shooter fans and a title I'll be coming back to regularly.”

“Fans of previous games and Japanese music, including the dozens of anime themes available here, will find a charming and compelling package in DON-chan's latest outing. Others might not appreciate the lack of variety in the basic library, which seems to demand that players fork over for the more robust offerings of the Music Pass. It rubs me the wrong way when, at launch, the base version of a game contains but a fraction of what can be purchased or rented digitally. There's no denying the cute and colorful characters of the Taiko no Tatsujin world, but you're almost forced to pay a premium to keep the party going.”

“If you've enjoyed seeing Atari dig into its back catalog and remake old arcade experiences with modern sensibilities and features, the "2.0" version of Missile Command: Recharged will almost certainly land a direct hit. If you've never cared for previous iterations of this missile defense simulator, there might not be enough here to sway you.”

“The most glaring problem for Bear and Breakfast is that controlling the game is an immense chore on Switch, which means it ends up being a chore to help a bear complete his own chores. Opening up new areas and completing specific goals to move forward in the game is rewarding, but trying to navigate menus with the clumsy control scheme isn't worth getting out of bed for. Despite its flaws, Bear and Breakfast is no doubt a better game on PC, so play it there if you're smarter than the average bear.”

“Those who don't mind experimenting and backtracking will find a more satisfying experience, but about halfway through I felt like I had already had my fill. Aesthetically, the clean presentation is an asset, but the soundtrack lacks punch and variety. Ultimately, even though Haiku, The Robot does play well, it can be tedious more often than it is compelling.”