Sam Chandler

“Cairn is a phenomenal climbing game. There were times where I wanted to throw in the towel because of some minor animation hiccup, but, like Aava, I couldn’t stop. There’s this intriguing parallel at play here, one that I found myself thinking about in those moments where I needed to rest my sweaty palms and Aava needed to recharge her stamina. Neither of us could stop. We had to see it through to the end, in whatever form that took. By the time the credits rolled, I knew that Cairn would stick with me for a long time. This is a game you absolutely have to experience.”

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“Borderlands 4 is the best the series has been in decades and a testament to Gearbox’s ability to absolutely cook. Are you ready to taste the chaos?”

“Elden Ring Nightreign isn’t your dad’s Dark Souls game. It’s not a slow, methodical, and exploration-driven experience. It is high octane, caffeine into the veins, run until you drop. The game kept me up at night, well past my bedtime, as I tried to clear just one more Expedition – maybe this next run would be the one. I went to sleep with it on my mind and woke up ready to dive back in. Even after rolling credits, I wanted to get in and keep playing. FromSoftware has done it again.”

“Claymore Game Studios realized what made the original Commandos games so great, retained the heart and soul, and sanded off all the prickly edges. Commandos: Origins is a love letter to the originals in everything it does.”

“When it comes down to it, Kingdom Come: Deliverance 2 is a brilliant and astounding experience by a developer that has shown itself to be a leader in the open-world genre. Henry makes for such a pleasant protagonist that you can’t help but love him, and the journey you go on across medieval Bohemia is equal parts complex and deeply absorbing. Kingdom Come: Deliverance 2 shines bright among its peers, even with its dints and dents.”

“Fortunately, S.T.A.L.K.E.R. 2: Heart of Chornobyl is still on its path to greatness. It's just going to need a little more love to get it to its destination. I just hope the rest of the journey is a bit faster than Skif's walking speed.”

“Every single decision you make in Frostpunk 2 is like taking a step out onto a frozen lake. You might shift your weight onto a foot, only to see a tiny crack race out ahead of you. Is this the decision that will lead to your downfall? Even something as benign as placing down buildings comes with the weight of resource management, societal impact, and just a little bit more strain on the delicate system you’ve tried to establish. It’s a brilliant sequel that will leave you frozen with indecision as the icy disposition of the factions rivals the chill from a whiteout.”

“Deathbound, like many other Soulslike games before it, brings a few neat ideas to the table. While they are certainly nice to sample and play around with, a lot of the surrounding elements are sluggish and bland. It’s still great to see developers have a go at joining the pantheon of games in the genre, but Deathbound didn’t leave me wanting to come back for more.”

“South Park: Snow Day! does a great job at delivering a new type of genre in the South Park setting while nailing everything we’ve come to love about the franchise. As vulgar and hilariously uncouth as it can be, there’s a charm to it that takes me back to my childhood, enjoying a day off and playing with friends, even if I’ve never had a snow day. If you’re looking for a roguelike you can play with a few pals, South Park: Snow Day! will have you laughing and yelling as you hack, slash, and cast spells at kids, and of course, fart on Cartman whenever possible.”

“Unfortunately, Sons of the Forest doesn’t quite manage to bring all of its elements together in a tidy package. While the building, crafting, and survival elements are neat, they’re not intertwined with the story, with both feeling like they’re completely separate ideas. Even the story seems unsure of what it wants to be, with odd pacing and poor audio design. I feel that fans of the original Forest game will relish the experience on offer here, but for everyone else, there are far better survival games out there.”

“Larian Studios has tapped into the Weave and conjured up a near-impossible miracle, bringing the creativity of Dungeons & Dragons to life in Baldur’s Gate 3. Players are given real agency to pursue the narrative in a way that suits them and to dive into combat and experiment with a dizzying number of options. Baldur’s Gate 3 is a truly phenomenal game that has managed to sweep up the imaginations and dreams of players and developers alike. Baldur’s Gate 3 may just go down as one of the greatest games of all time.”

“One More Level has nailed the important bits in Ghostrunner 2: the combat, the movement, the visuals, the soundtrack, and the challenge. It’s all a cacophony of intense action and pulse-pounding exhilaration – it’s just that the connective tissue keeps it from being a cohesive vision. By increasing the scope and breadth of the game, Ghostrunner 2 loses part of the essence of what made the first game so great. And yet, for the faults I do have with Ghostrunner 2, it’s still an awesome game that had my head bobbing to synthwave beats as I slow-moed around lasers and turned my foes into giblets with a flick of my cybernetic katana.”

“Remnant 2’s action, loot, and bosses are cranked up to 11. It’s a marked improvement over the first game, with the fat trimmed and all the good parts ready for devouring right from the start. There’s a lot to love here, with more surprises and reasons to play even after multiple playthroughs. Though I do have a few gripes, they fade into the background as there’s just so much to enjoy here in the minute-to-minute gameplay.”

“MADiSON is consistent, and that’s one of the key factors in a great horror game. A lot of games tend to struggle with a sluggish second act after an incredible opener or fall off in the final act, but that does not happen here. The puzzles remain a delight to solve, the tension never eases up, and just when you think you’re safe, a light will flicker, and you’ll catch a glimpse of the monster and you’ll need to change your pants. Beyond this, the story and lore is disturbing on a true crime level and manages to maintain its pacing. Suffice it to say, MADiSON is an unnerving, unsettling, and truly terrifying experience.”

“KeyWe does a great job at delivering exactly what's on the parcel: it's a cute and charming co-op experience that will challenge your communication skills. So grab a friend and get ready to sort the mail, because this one is something special.”

“For long-time Pokemon fans, Pokemon Unite will be an enjoyable, if simple, adventure into the world of MOBAs. Even those who are intimately familiar with MOBAs may find Unite’s quick and approachable matches to be a nice palate cleanse. Unfortunately, at launch, it’s limited roster, simplicity, and hidden pay-to-win nature leaves it not being the very best.”

“Last Stop feels like a glorified interactive cutscene, though a cutscene I was eager to continue watching. It's just unfortunate that the gameplay comes across as an interruption rather than anything that lifts the experience.”

“While there are some problems with the design, narrative, and dialogue, overall, the story and experience offered in Little Hope left me rather impressed.”

“Ghostrunner will set your adrenaline racing and won’t let up until you’ve mastered its systems. And when you do reach that zen-like moment of precision and elegance, dancing on the edge of a blade between life and death, you’ll ask yourself, “Can I do better?” And that’s when Ghostrunner will have you, truly and deeply.”