Coller Entragian

“The wild absurdity and sharp controls make every session a joy, especially in multiplayer, where the competition gets downright savage and sweaty. You can play it solo, but it’s kind of like singing karaoke by yourself. Mach Breakers is a cult gem that refuses to play it safe, leaning into over-the-top antics that few arcade games attempt.”

“Some gamers enjoy experiences that gamify mundane work activities. The fun is how accurately it can capture the experience of the profession. The Mortuary Assistant: Definitive Edition not only cheapens the effort put into making cadavers presentable for funerals, but it also turns into a major hassle with Paimon constantly pestering Rebecca, thinking it’s amusing to remind her of her past heroin use. This could have worked if more thought had been put into the embalming process and if the presentation had been more polished.”

“RPG maniacs who missed out on Romancing SaGa: Minstrel Song Remastered due to the language barrier can finally check it out. International is the same remaster with identical QOL features, but now with additional language options to make it easier than ever for any Western gamer to enjoy this grossly overlooked, open-ended PlayStation 2 RPG.”

“Baseless' main mechanic takes getting used to. There is no way around that. Anyone who plays it on its own terms and learns to harness the physics will find it rewarding. Most of the time, using a high-powered space gun to control movement feels like trying to tame a wild beast. It's understandably unwieldy, yet mastering it under one's dominion is a euphoric rush.”

“Playing Hitman: Absolution on Switch is a great way to replay it or give it a second chance. The gyro aiming improves the playability dramatically and may get veteran naysayers to accept the game on its own terms. It's a flawed and sometimes dumb experience with situations that make no sense, but still manages to be one of the better third-person action-adventure games, and a lot of it has to do with the gritty signature Hitman ambiance, presentation, and 47's impossibly cool dialogue and wit. He's a fun character, and getting any chance to be him is worth a few instances of sloppy design.”

“Stray Children is like a meteor blazing through the sky, meant only for those who truly appreciate the pure sincerity and childlike wonder of video games. No nonsense attached, just a game brought to life by those who understand the magic of classic RPGs, reminding all that creativity is what makes a game truly special, beyond tropes or clichés. It’s not a game for everyone. While it might seem warm and cuddly, it's unfair and unintuitive, much like life itself.”

“Without riding the simulated jet ski model, much of the novelty and magic is lost. Aqua Jet's strongest assets are its audio/visual presentation and the exciting sense of speed when racing on chunky, pixelated waves. Like most arcade games, it doesn't translate to a great home console experience. It's cool to have an option to play Aqua Jet at all, and preserving it is commendable, yet it's not complete without its alluring cabinet. It may look and run better than Wave Race 64, but sometimes that isn't enough for lasting appeal.”

“Munch Mobile won't connect with gamers due to its repetitive gameplay loop of driving and grabbing food/fuel, which lacks the depth, progression, or visual flair. Its steep difficulty, clunky joystick-based controls, and minimalist graphics and audio feel outdated compared to the polished visuals and responsive mechanics of its contemporaries like Spy Hunter or Pole Position. Slapping googly eyes on a car with big cartoon hands popping out the sides is also a poor excuse for an anthropomorphised car.”

“The one-track, one-car options may seem weak, but spending over an hour trying to master drifting and making incremental improvements with every try is enthralling. The buttery smooth gameplay and bright visuals have kept Ridge Racer timeless, and while it lacks all the cool features and Reiko isn't around, it's hard not to be impressed by such an early 3D racing game that had such a confident vision for itself that still stays challenging with infinite credits.”

“Air Combat 22's biggest claim to fame is its fluidity and timeless visuals. The core mechanics are serviceable, but there isn't enough to keep it engaging past one playthrough. Without the cockpit cabinet and the booming chaos of a '90s arcade screaming in the background, there is less novelty and charm. Playing Arcade Archives: Air Combat 22 on a Nintendo Switch 2 is not the same as it would be on an original unit, but even if it were, the core experience is spread thinly, emphasising that the game was a shallow, cheap thrill.”

“Gee Bee's austere visuals looked cheap next to emerging colour games in 1970s arcades. With only three-to-five-minute games with no escalation or features, after a few plays, the loop becomes mind numbing. Its core is so basic that not even modern features can do much to elevate its plainness. Most people play video games to beat boredom. Gee Bee is for people who crave monotony.”

“There’s something magnetic about Karma: The Dark World's unhinged ambition. It's a debut that dares to be weird and weighty, even if it trips over its own complexity. Karma is a flawed and very interesting gem, a game that’s as haunting as it is stupefying. Xbox Series X|S owners, beware of the atrocious stuttering. Anyone who is drawn to narrative-driven horror with a cerebral bent, it’s a journey worth taking, but don’t expect every step to feel steady.”

“Hirogami is a game of fleeting brilliance, where moments of joy like leaping as a frog through a papery forest or uncovering a hidden shrine are undercut by clunky mechanics and unpolished edges. It’s a heartfelt effort from a small team, and the art direction alone makes it worth a glance. Like a sloppily-folded origami crane, though, it collapses, caught between ambition and execution.”

“The Sinking City had a great idea, but it was ultimately poorly executed. The remaster was a chance to address its main flaws: combat playability, mission structure, and level design. However, only the graphics got attention when they never needed them. The revamped visuals do admittedly look very good and make Oakmont feel more immersive, but they were a misplaced priority when everything else was unbelievably poorly tuned.”

“Mortal Shell: Complete Edition is a competent soulslike with flashes of brilliance in its shell swapping and atmosphere. Its ambition is held back by shallow systems, inconsistent difficulty, and technical rough edges. It’s a worthy attempt for fans craving a grim challenge, but it falls short of the genre’s best. The technical performance was an utter disaster on the original Nintendo Switch, but fares much better on Nintendo Switch 2. It will still be a haggard-looking and rough game with subpar image detail, but at least it plays significantly smoother.”

“Wild Hearts S' deft art direction carries it through the down-porting process onto lower spec hardware. Despite some minor complaints, the main game offers a robust 30-40 hours of content, with seamless four-player co-op adding replayability. Hunting with friends is always fun, as coordinating Karakuri setups and weapon synergies elevates the chaos to new heights and offers a lot of bang for one's buck.”

“Despite a few questionable design choices, Pocky & Rocky Reshrined delivers a thrilling and satisfying experience. The blend of nostalgia and modern polish makes every stage a visual and mechanical extravaganza. New characters and stages keep replays fresh, while the core gameplay loop of dodging, shooting, and surviving remains as addictive as ever. It’s not quite as refined as it could be, and the difficulty spikes and locked modes may alienate newcomers. However, for those who relish a challenge and adore retro shooters with a unique cultural twist, this is a worthy revival of a beloved classic.”

“Dragon Breed easily stands as the crown jewel in this collection. Its innovative dragon-riding mechanics and striking post-apocalyptic visuals craft a near-masterpiece that rivals R-Type’s ingenuity. Mystic Riders follows with its vibrant fantasy aesthetic and local co-op, a rare treat that injects accessibility and fun, though its simpler patterns and repetitive enemies pale next to Dragon Breed’s depth. Mr. Heli, the weakest link, offers lite exploration and chunky-yet-cute visuals but stumbles with its punishing design, feeling like a relic even with modern tweaks.”

“Ruffy and the Riverside is an unbelievably fun and imaginative 3D adventure-puzzler. In some ways, it feels like it could have been a third Tomba! game due to its playful visual style that goes against the grain. Not everything works as intended, and it could use an extra pass of polish, but pound for pound, this is one of the more ingenious 3D platformers out there. If the developers can iron out some of the irregularities, Ruffy and the Riverside could be all it can be.”

“The original Front Mission games were hard to get into, and when the third game came around, it marked a shift to make them user friendly. Front Mission 3: Remake is very faithful to its source material and improves a few gameplay mechanics subtly, which makes it a smoother experience. It's not the best strategy RPG since the RNG and the small party size can seem restrictive, and it also isn't the best remake, but it is the best Front Mission game so far.”