Allisandra Reyes

“Crisol: Theater of Idols is an ambitious game with moments of creativity and style, but its execution consistently holds it back. The story fails to engage, combat is frustrating, and the character design often breaks immersion. At the same time, it offers one of the more compelling first-person horror settings in recent years, and its environmental and thematic work are impressive. It’s a game with strong ideas that never fully coalesce into a consistently satisfying experience, making it interesting but flawed overall.”

“UNFOLLOW is a competent entry in the BrokenLore franchise, delivering solid storytelling and atmosphere while struggling with gameplay and cohesion. It offers moments of genuine psychological complexity, but predictable mechanics, overused jump scares, and underdeveloped plot threads prevent it from being truly memorable. Fans of the series will find enough to engage with, but those looking for groundbreaking horror may find it uninspired.”

“Quarantine Zone: The Last Check struggles with technical issues and inconsistent challenges. Glitches, visual drops, and clunky mechanics pull you out of the experience, and the game doesn’t always push you to adapt or think in surprising ways. Though it shines in giving players a real sense of authority, a reactive world, and satisfying systems that reward careful observation and decision-making, its current state is difficult to recommend. However, fans of puzzle-management simulations who enjoy moral ambiguity and quiet tension can still have a compelling and worthwhile experience despite its rough edges.”

“Pathologic 3 is a must-play for anyone invested in the franchise or intrigued by narrative-driven, mechanically rich experiences. Its strongest moments come from how seamlessly story and gameplay reinforce one another, creating a game that feels deliberate and purposeful in every system. While some roughness and minor hitches persist, the game’s focus, depth, and audacity make it an essential entry in the series.”

“Sword of Justice is an MMO that ambitiously blends classic genre staples with fresh storytelling and systems. While not perfect, it offers hours of entertainment that never feel wasted. A few rough edges and confusing systems aside, it’s a promising and worthwhile adventure for MMO fans.”

“RV There Yet? might not be the most intricate or polished co-op game out there, but it’s effortlessly fun. Its mix of teamwork, physics-driven chaos, and laid-back humor strikes that rare balance between laughter and light frustration. With a bit more content or fine-tuning, it could easily become a standout in the genre—but as it stands, it’s a scrappy, endearing road trip that delivers exactly the kind of good time it promises.”

“Onirism is deceptive at first glance. Behind its cozy, colorful art style is a wild, unrelenting shooter that never runs out of new ideas. It’s playful, challenging, and bursting with charm in a way that makes the occasional frustration worth pushing through.”

“No, I’m Not Human thrives on atmosphere, weaving paranoia and dread into every knock at the door, and its shuffled characters and multiple endings give it strong replay value. It’s not a game of polished mechanics—its testing restrictions are frustrating and its bugs are noticeable—but for $14.99 it delivers a tense horror experience that sticks with you.”

“Death Relives is the kind of game that makes you question your life choices because of the slow drain of wasted time. Its ambition is buried under poor execution, lifeless AI integration, and half-formed mechanics. Even its better ideas, like the puzzles, are let down by clunky design. There’s simply nothing here worth your time, money, or patience.”

“Abiotic Factor stands out in the survival crafting genre by fusing humor, tension, and sci-fi absurdity into a deeply replayable experience. It’s clever, strange, and thoroughly satisfying, but not without its rough edges. Several mechanics are left entirely unexplained, and playing solo can feel overwhelming without companions to share the burden. Yet despite its flaws, it’s an experience that thrives on discovery, rewarding those who approach it with curiosity and a willingness to experiment.”

“Nice Day for Fishing is a game with a charmingly absurd premise, surprisingly fun fishing-based combat, and a world that feels handcrafted for laughs and lighthearted discovery. But while the first impression is strong, the pacing falters. Progression can feel like a slow trudge, with repetitive quests and a late-arriving fast travel system that adds unnecessary friction. It’s delightful in bursts, but not consistently engaging throughout.”

“PEAK is short, sharp, and brutal—in the best way. Its tight mechanics, clever co-op design, and devilish biomes make every climb memorable, even when the servers don’t hold up. While bugs and communication issues occasionally get in the way, the game’s charm and challenge more than make up for it, especially considering the price. This is the kind of game that doesn’t just test your reflexes—it tests your friendships, and somehow makes that feel rewarding.”

“Chapters 3 & 4 push DELTARUNE into bold new territory—richer storytelling, creative gameplay shifts, and a soundtrack that still stuns. Chapter 3’s underwhelming pace may divide players, but the series’ heart and mystery remain stronger than ever.”

“DELTARUNE Chapters 1 and 2 are clever, charming, and full of promise—but not quite the emotional knockout UNDERTALE was. The story’s bigger, the combat’s smarter, and the characters shine, but Chapter 2 doesn’t follow through on the cliffhanger Chapter 1 left us with. It’s a beautiful work-in-progress, already outshining many full games. We’re just still waiting for that “wow” moment to pull it all together.”

“Creature Keeper is a charming yet flawed adventure that struggles to fully deliver on its potential. While it offers a heartfelt story, colorful creature designs, and a robust creature management system, its enjoyment is frequently hampered by technical issues, clunky combat, and overall incomplete feel. There’s a genuinely fun experience here, but it’s one that’s constantly interrupted by bugs and unfinished features.”

“Post Trauma offers a nostalgic journey through classic survival horror, but doesn’t quite manage to recapture the magic of its inspirations. The atmosphere and sound design provide an immersive experience, but the gameplay often feels cumbersome, and the story leaves much to be desired. While it hits the right notes for horror enthusiasts, it occasionally stumbles in execution. It’s an enjoyable ride for those seeking a taste of PS2-era horror, but it’s far from perfect.”

“Bao Bao's Cozy Laundromat is an idle game that revolves around upgrading washing machines, managing resources, and expanding the laundromat. There are some unique touches that set it apart from other idle games, like the Twitch integration, allowing streamers to let their audience interact directly with the laundromat in charming ways. There’s also a built-in focus timer, making it a great companion for study or work sessions. While it’s a solid choice for idle game enthusiasts, its slow pace and passive nature might not appeal to everyone.”

“Him: the Smile & bloom is a purely narrative-driven experience with occasional dialogue choices that determine the outcome of each storyline. Players can experience four romance archetypes each with multiple endings. The game features anime-inspired visuals, a beautifully crafted opening sequence, and an OST that enhances key emotional moments. However, its limited interactivity and frustrating character writing may not appeal to everyone.”

“SYNDUALITY Echo of Ada is an extraction shooter where players mine AO Crystals, engage in battles, and try to survive in a hostile environment. The core gameplay loop is engaging, offering strong customization options for both mechs and Magus companions, as well as a world full of environmental hazards that add tactical depth. The game’s replayability is bolstered by the progression system, encouraging players to return for more sorties. However, the narrative is lackluster, with no compelling plot to drive the player forward, and the PvP aspect suffers from unbalanced gameplay where new players are often thrown into the same map as fully equipped veterans, leading to frustration.”

“Go Home Annie delivers a compelling SCP-inspired narrative with atmospheric audio and challenging puzzles that keep players invested. Its standout feature is the seamless blending of story with gameplay, particularly in how it ties Annie’s personal journey to the mysteries of the SCP Foundation. While the narrative falters slightly toward the end and may confuse some, its strengths far outweigh its shortcomings. For fans of mysteries, puzzles, and immersive soundscapes, it’s a rewarding experience.”