GamesCreed

“Dark Auction is a game that trusts you. It trusts you to pay attention. It believes you will think before you judge. It trusts you to think about things that make you uncomfortable. It doesn’t rush you. It doesn’t always try to impress you. Instead, it slowly builds a world, introduces flawed people, and asks you to listen.”

“Lovish is a fun return to platform games from the past. The game made by LABS Works and DANGEN Entertainment feels both familiar and strangely new at the same time. The idea behind the story—saving Princess Tsuna while dealing with Sir Solomon’s crippling insecurities—is silly, funny, and utterly charming.”

“Mewgenics is a ridiculously fun strategy game that everyone who likes McMillen and Glaiel, strategy game fans, and cat-fight fans should play the same way. It celebrates self-made stuff, teaches emergent gameplay, and most importantly, combines chaos, humor, and strategy in the worst way.”

“The Real Face of a VTuber is a good game for people who like mystery visual novels or legal adventures. It may not be as polished or big as other games in the same genre, but it shows creativity, heart, and a clear respect for the player’s interest.”

“When Cassette Boy does well, he sticks to one original idea and builds an entire story around it. The mechanics of changing perspectives feel really new. It turns simple environments into clever puzzle areas that reward trying new things and paying attention.”

“Arknights: Endfield feels more like a modern JRPG than a usual mobile-first gacha game, especially on PC, where the resolutions are higher. and the frame pacing is smoother. Sound design is another important part.”

“Road to Empress I is a well-made FMV game that knows exactly what it wants to be. It’s a palace drama with betrayal, ambition, and perpetual danger that comes to life through great acting and high production qualities. The option structure can sometimes feel limiting and unjust, but the story is still interesting enough to keep you going, even when you die a lot.”

“Cairn is one of the best independent games of our time. It makes the basic act of getting up tense, sexy, and emotionally powerful. There is a reason for every handhold, slip, and rest point, and the way that environmental hazards, survival rules, and small animations are all put together makes sure that every climb feels like it has a purpose.”

“I Hate This Place is still one of the most interesting independent horror movies I’ve seen in a while. It could be up there with the best games in its genre if it got some balance fixes and a bigger focus on challenge. As it stands, it’s a stylish, creepy, and often memorable trip that you should take, even if you don’t hate the place by the end.”

“There is potential here with Code Violet, and with more experience and refinement, a sequel from Team Kill Media could be something worth getting excited about. As it stands, though, Code Violet is a code red. It wants to be Dino Crisis so badly, and sometimes it gets close, but it never quite delivers the experience the trailers promise.”

“BrokenLore: UNFOLLOW works in the end because it is what it says it is: a unique, intense, and personal scary experience. It doesn’t try to be everything to everyone or add extraneous stuff. The fear is psychological, the story has meaning, and the gameplay adds to it rather than taking away. If you like old-school survival horror games like Silent Hill 2 or newer indie psychological horror games, this game will give you a short but unique ride.”

“There are a lot of different things in Kotama and Academy Citadel. It has a great combat system, a smart way to heal, and a strong visual personality through the way the characters are designed. Plus, it has rough platforming, a story that isn’t focused, technical problems, and systems that aren’t fully developed and never quite reach their full promise.”

“Cloudheim isn’t a copy of Breath of the Wild; it’s its own weird, physics-based world. But it has the same sense of freedom, exploration, and finding. There is already a strong base in the early access version, and the promise of more islands, quests, weapons, and base upgrades in the full release makes it look like it will be even better.”

“Moonlighter 2: The Endless Vault has a good start for an early access release, despite certain problems, such as targeting quirks, long boss fights, and limited storage space compared to the variety of relic types. Confidence in Digital Sun’s long-term potential is bolstered by its rapid problem-solving and great responsiveness to criticism.”

“Of Ash and Steel is a big, old-school RPG that pays you for being patient, paying attention, and planning. It’s hard and fun to play because of the survival rules, the way the skill trees are connected, and the amount of exploration. There are some technical problems with the game, like stiff animations, strange sounds, and sometimes annoying AI, but the depth of the gameplay and sense of earned growth make it worth playing.”

“Constance, a Metroidvania, manages to blend charm, difficulty, and emotional impact – a combination that’s hard to find in smaller games. The game’s narrative, mechanics, and graphics are expertly crafted together.”

“The Berlin Apartment is a risky attempt at making a story-based video game. It puts historical stories and emotional impact above standard game mechanics, combat, and puzzles. Its episode structure, simple gameplay, and careful attention to detail in the environments make for a thoughtful experience that feels both personal and historically vast.”

“HARMONIC REFLECTIONS is more than just a game; it’s a chance to think about relationships, decisions, and growth. It’s an interesting journey that rewards players for being patient, caring, and interested, and it makes them think about themselves long after the last scene.”

“Majogami isn’t just another 2D action platformer; it’s the result of Inti Creates’ decades of experience with the genre, remade with big goals. It’s one of their best games in years because of its tight gameplay, beautiful art, and smart boss fights.”

“Escape Simulator 2 shows how fun it is to solve problems in their most basic form. You can play Escape Simulator 2 by yourself or with a bunch of other people yelling, “Try the red key again!” Escape Simulator 2 keeps you interested the whole time. It is one of the most rewarding puzzle games I’ve played in recent years because it strikes a good mix between logic, style, and ease of use.”