Drew Sherratt

“Moonlighter 2 is shaping up to be the game Digital Sun always wanted to make. The gameplay walks the same path trodden by the inaugural entry, but is now more polished, and studded with new options and embellishments that only improve the adventure experience. Some players may lament the same old shop mechanics and loss of the pixel art visuals, but I love the new 3D stylings, which fills the world with a warmth and softness that emphasises the game’s cosiness perfectly. Fans of the original Moonlighter should rush to play the sequel (even in Early Access), and I’d encourage new players to take this one to the counter and see what all the fuss is about.”

“Duck Detective: The Ghost of Glamping is a perfect follow up to the excellent debut episode, and offers more of the same hilarious crime fighting antics. Rightly or wrongly, the folks at Happy Broccoli Games haven’t taken any risks with this sequel, choosing to use the same tried and tested format to tell a brand new story for Eugene McQuacklin. The story may not be told quite as well this time around, but toting a host of new quirky characters, more witty dialogue, and the same playful visuals and voice-acting, returning fans are sure to love this tale of the otherworldly in the outdoors.”

“We Were Here Together might be the third instalment in the series, but it’s the first of the lot to really flex its muscles. Armed with a bold new look, a clearer sense of style, and some great puzzle design, Together accentuates all the positives from the previous instalments whilst growing a whole new sense of character. There are some UI gripes and small graphical hiccups on the Switch, but as a game that leans much more on brains than on brawn, We Were Here Together fits perfectly in the Nintendo-sphere. While it lacks the final spit and polish of the later episodes, it’s fantastic to see the series opened up to a whole new raft of explorers on the Switch.”

“OVIVO is an interesting platform experience that succeeds thanks to its mechanical simplicity and its artistic nature working completely in tandem. Simple one button controls allow you to instinctively wobble your way through beautiful monochrome environments, as a thoughtful synth music score pulses on in the background. There’s an intriguing mysticism dripping from the otherworldly images that make up the levels, if only you’re inclined to look, making OVIVO a game best enjoyed by players who value a contemplative artistic expression over tough, technical gameplay.”

“Koloro is a simple little puzzle platformer that can help you while away a few hours – especially if you’re in one of those moods where absolutely nothing looks appealing. But despite some cleverly designed levels, pleasant hand drawn backgrounds and chill lo-fi inspired soundtrack, I found that things got stale long before I reached the end. Whether it was the sheer volume of levels to get through, the slow pace of the autorun mechanics or just the general lack of variation, Koloro is best enjoyed a few levels at a time before moving onto something with a little more substance.”

“Mudborne is a niche, fun puzzle adventure that succeeds in so many areas. It boasts a deep and well thought out core mechanic that makes breeding and rearing frogs genuinely enjoyable, and offers a cozy sense of exploration that coalesces into a very enjoyable game. The mechanics demand a reliance on a lot of menus and submenus which can get a little fiddly, but the chill soundtrack will easily soothe any of those stresses out of you as you play. Mudborne is a thoroughly unique premise that’s just patiently waiting for more players to hop into.”

“Unboxing the Cryptic Killer is an enjoyable little co-op puzzler that’ll let you wile away a couple of hours with a partner, should you want a short break from yet another true crime documentary on Netflix. While the art style might not be for everyone, the puzzle design is solid, and the game doesn’t hold your hand until you ask it to, which makes for a moderate and fun challenge. But, despite no major knocks to report, there’s nothing especially noteworthy either. All told, Unboxing the Cryptic Killer is the gaming equivalent of a ‘straight-to-DVD’ movie (remember those?) – it’s inoffensive and entertaining enough, but it isn’t especially memorable one way or the other.”

“Jack Axe has the opportunity to be a fun little platformer, but it suffers from horribly unreliable mechanics that make it more frustrating than it is enjoyable. Between the endless unrecognised button presses, janky hit boxes and your abilities routinely failing to launch, there’s enough to discourage some folks from going very far at all. But for those who show a little faith and push on -fear not- you too might be rewarded by a terminal crash and a deleted save file at the crescendo of the game. Sadly, it’ll take a lot more than the delightfully sweet visuals to keep this one off the chopping block.”

“Devil May Cry harkens back to simpler times, offering fun hack and slash action that you don’t need to take too seriously. Capcom treats us to some very cool environments as we wander across the spooky Mallet Island, smashing through some excellently designed enemies along the way, and what gets in the way can mostly be put down to inexperience on the developers’ part. The fixed camera angles that served them so well in the past are a real pain this time around, and the slow and deliberate menu system detracts from the fluid pace they were going for. This debut entry offers a fun peek back at the origins of a popular franchise; it might be fun for fans of the modern entries or videogame historians, but the average man in the street probably isn’t missing out by not revisiting it in 2025.”

“Syberia is absolutely of its time, offering a point-and-click adventure that now seems outdated in almost every aspect. With aging character models, an archaic and ugly UI and whole townships blatantly designed to facilitate a few oddball puzzles, it’s unlikely to win over many new fans in 2025. That said, it’s not all bad – the pre-rendered environments still look pretty decent, and there’s a few moments so ridiculous that you’ll likely get a laugh or two. Perhaps like the clockwork automatons in the Voralberg factory, Syberia is a product of a bygone era, but not without significance to those curious about days gone by.”

“A simple but effective throwback to simpler times, Knights of Pen & Paper +1 Deluxier Edition is a love letter to tabletop roleplaying games and the fun you can have acting daft with your mates whilst throwing dice. If you’ve come looking for a deep and layered plotline or a finely balanced battle system, you’ve come to the wrong place. This is the land of the min-maxing, meta-gaming meat shields and their party of pals. Best enjoyed by existing TTRPG fans who want to churn out a few micro quests whilst taking a break from something more taxing, there’s fun to be had here if you enjoy the simple things in life.”

“Mindcop is an incredibly entertaining whodunit that expertly blends level headed crime solving with laugh-out-loud foolishness in a way that just shouldn’t work – but it does. Questioning the folk of the Merrylin Crater Camp and scouring for evidence is delightfully simple, and the pivotal time mechanic creates an incredible sense of urgency that’s often lacking in crime games. It’s a game that takes itself just seriously enough, as showcased by its combination of derpy cartoon-noir visuals and saxophone laden soundtrack with its cast of well rounded characters and layered storyline. Fun from start to finish, Mindcop is dripping with tongue-in-cheek playfulness that you won’t need a forensic team to uncover.”

“We Were Here Too is a regression from the original in almost every way, setting it up as the low point of the franchise so far. While the visuals continue to evolve into the characterful style we’d come to love in future entries, the sound design takes a nosedive, as does the puzzle design, which feels bland, flat and somewhat repetitive. Lacking the sense of atmosphere and immersion that makes other entries such fun, there’s the feel of a workplace teambuilding in We Were Here Too – sure, you’re working together, but it’s because you have to, not because you especially enjoy it. Thankfully, I know that future titles soar to significant heights, and I’m thrilled that the team at Total Mayhem Games found their groove with time.”

“Worms Armageddon: Anniversary Edition is the equivalent of a classic car getting a detail, a fresh wax, and being rolled out to wow an all-new audience at the car show. Under the hood, it’s still very much a product of its time, but that doesn’t make the final product any less enjoyable to drive. Boasting the same hilarious and addictive gameplay as 1999 but with a lovely new set of 2025 HD visuals, old-school fans will be thrilled to have this absolute gem available on their modern machine. Just how much this release will move the needle with new players remains to be seen, as it’s very much a port that comes ‘warts and all’, eschewing a few layup modernisations in favour of offering a thoroughly faithful remaster instead.”

“Dreaming Sarah is a rather nonsensical wander through a string of surreal environments and sadly never coalesces into much more than a hodgepodge collection of ideas. It’s a carefree and low stakes affair which may appeal to some, but with almost no story to speak of, and driven by only the tiniest sliver of gameplay, I found my attention span waning long before the two-hour runtime was up.”

“The Iron Rig DLC offers that trademark DREDGE spookery, a myriad of new tools, and shoals of extra species to lengthen the overall experience. This new tale isn’t as well told as The Pale Reach, but the extra gameplay content is much broader in scope, encouraging me to even polish off quests from the main game that I had previously consigned to the deep. If ‘more of the same’ makes you want to pull your waders on one more time then you won’t be disappointed, but players expecting vast new experiences may want to give it a miss.”

“Machinarium is a ‘straight off the lot’ point-and-click puzzler that excels through some wonderful world building, clever storytelling and adorable characters. Whilst never straying far from the standard formula, there’s still plenty to enjoy, not least the fantastic, rust-covered visuals and well constructed soundtrack. This is one I’d recommend to newcomers and veterans of the genre in equal measure - while old school fans might not get much brain stretching out of it, it’s worth everyone’s time for the chance to experience this wacky welded world for yourself.”

“Overall, Sword of Convallaria leaves me torn. On one hand, the stunning artwork, impressive soundtrack and detailed tactical combat are all huge positives that would normally propel the game to a much stronger recommendation. But on the flip side, the time-restricted gameplay, unbalancing gacha aspects and aggressive microtransactions are pretty sizable turn-offs. Perhaps more palatable to experienced mobile gamers than traditional TRPG fans, it irks me that so much potential is buried beneath so many unsavoury pay-to-win mechanics.”

“Overall, Noreya: The Gold Project is a sprawling Metroidvania that offers 20-hours of nimble exploration amidst some simple combat and a somewhat fractured plotline. Despite sporting some lovely pixel art visuals, a wonderful musical score and an intriguing premise, there’s a general lack of polish that left me a little wanting. Established Metroidvania fans will find a solid addition to the genre with plenty to enjoy, but in the end Noreya might serve as a reminder that all that glitters is not gold.”

“Duck Detective: The Secret Salami is a send up of the detective noir, and it’s executed almost to perfection. The simple, yet highly effective mechanics do a tremendous job of steering you through the case, which is filled with engaging characters and bolstered by some wonderful voice-acting. The bright and playful visuals are adorable and almost belie the well-written mystery that plays out. Hampered only by its short runtime of 2-3 hours, I dearly hope this is just the first of many sleuthing stories for Eugene McQuacklin. Play it at the risk of being left with a serious hunger for bread… and justice.”