NintendoBoy

“Animal Crossing: New Horizons has won my heart with its charm and escapism, making it impossible for me to stop playing it for extended periods.”

“It's a shame that the final package seems so incoherent. After all, what motivated the specific choice of these games to form this collection? The collection is named after Toree, but it includes two other games with little connection and that honestly add very little to the final project. I think it would make more sense to include only games from the Toree series, or to create a large package showcasing Marcus Horn's entire portfolio, making it the definitive package to follow the evolution of an independent developer. The result delivered here, unfortunately, is a forgettable package with 2 good games, 1 simplistic game, and 1 mediocre game.”

“The Perfect Pencil aims for a different experience within the Metroidvania genre, and for that it deserves praise. The creativity of the art team stands out, with very different environments and a world-building that, at the very least, is intriguing. However, this is not enough to sustain the entire experience. Seeking pillars through the power of words, it ends up becoming as fragile as the graffiti that scribbles on them, becoming repetitive in its themes and deprioritizing the genre elements that need to be given more consideration. The result is a slow, disjointed game that takes away the magic of the background art.”

“Mega Dimension is nothing more than a small expansion of what can be found in the main adventure. If you, like me, thoroughly enjoyed your experience with Legends Z-A, you'll love being able to return to Lumiose and discover new mysteries. However, those expecting major changes and other new features will be disappointed to learn that the DLC doesn't introduce anything new that's particularly impactful.”

“FAIRY TAIL: DUNGEONS seemed like an honest game to me, but it proved to be more than that with a great execution of most of the ideas presented. Kodansha and Hiro Mashima did a great job curating this project for funding, giving young developers the chance to shine.”

“As my first Amulit game, I actually liked Neon Clash -Echoes of the Lost, but when compared to other otome games I've played... well, it ends up not being as good as I expected. Don't get me wrong, this is a very well-made title by Voltage's Amulit, with great character designs and a story that manages to be full of plot twists. Still, I can't quite call this an otome game, but rather a more traditional visual novel with a romance subplot. And that's the point I end up making. The romance is left for the end, I thought it was also lacking in relation to the Extras, and the translation has its flaws, not to mention the horrible font. But if you're looking for a story full of action, then I can recommend this game.”

“Despite having more flaws than qualities, I can't deny that the characters in Temirana still managed to win me over in one way or another, not only individually, but also their dynamics as a group were what kept me playing this game for its long duration. However, when it shifts to a more character-focused approach, it ends up losing its way a bit and becoming much less fun to follow.”

“While it boasts an incredible storyline compared to all previous games in the series and one of the most fun gameplay experiences ever, all I can say is that INAZUMA ELEVEN: Victory Road is indeed a very special game that marks the triumphant return of one of LEVEL-5's most iconic and beloved series.”

“POPUCOM is a very engaging game, with diverse content and varied and fun puzzles. Its biggest problem, however, is the difficulty of finding people online on the Nintendo Switch, which would be helped by cross-play with the PC version.”

“Replaying Atelier Shallie: Alchemists of the Dusk Sea only reaffirmed it as one of my favorite games in the Atelier series. Not that it's "the best" in the sub-series it's set in, but there are things about it that make the experience memorable and welcoming for me: be it its engaging combat, the fun interaction between the characters, its art direction, and even its soundtrack.”

“I even ended up playing for hours one night, trying to finish it. The hook of the experience really grabbed me, and after about 5 hours with the game, I was satisfied. However, I can't say I'll remember Storm Lancers in a week or two, you know? Or even that I'll be going around recommending the game. I think it's the kind of game I receive for review; I can enjoy the time I dedicated to it, but I wouldn't see myself playing it if I didn't have to write a piece about it.”

“Oppidum isn't a title I disliked. But it's true that I wasn't particularly enthusiastic about its premise. The simplistic narrative didn't motivate me to continue exploring the world, and the extremely linear progression coupled with the world's hostility quickly demotivated me.”

“Trouble☆Witches FINAL! Episode 01 Daughters of Amalgam is a game with an incredible range of characters and refined gameplay that was marketed as a larger-scale product than it actually is, making the limited variety between game modes feel like an attempt to inflate the final product.”

“It doesn't impress in terms of gameplay, visuals, sound, or even concept. Bubble Bobble Sugar Dungeons falls short on a console like the Nintendo Switch, which has the potential to do so.”

“Well, you can't say the game isn't fun for a few hours. It's beautiful, charming, has good and well-implemented ideas, enough content for many hours of gameplay, and a strong sense of progression to keep you engaged.”

“Dunjungle is consistently fun and delivers a short, consistent experience for any player by choosing an ambiance that's considerably different from all the usual picks from other titles [in the market], something that should be just praised.”

“Beyond its classic aesthetic, the game delivers a touching story about lost loves, geopolitical conflicts, and the consequences for those who are the greatest victims of these issues.”

“Milano’s Odd Job Collection brings improvements that provide a necessary and creative refresh, while maintaining its charm and originality. Despite being a simple game clearly aimed at children, it's a fun and casual experience worth playing, especially for those who enjoy eye-catching 2D art.”

“While some developers seem to forget this as they are pressured by suits to fill their pockets with money, video games should provide an entertainment experience that is only possible because of the interactivity of their premise, putting the player in the shoes of various personas and entertaining them until the end of their gameplay. If it's the pure essence of the word video game you're looking for, you'll find it in Neon Inferno.”

“In the end, Romancing SaGa -Minstrel Song- Remastered International is a game that demands focus. It rewards curious, patient players willing to lose themselves in an unrelenting world. Its systems may seem obtuse, its narrative is fragmented, its visuals don't impress, but the freedom [it offers] is unmatched and its genuine adventure spirit makes it a unique experience. This is not an RPG for everyone, but, for those who join in this journey with an open mind, there are few adventures with a similar sense of discovery.”